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以有聲時代的默片喜劇的方式詮釋了人類古老而單純的日常活動與摩登時代下的機械生活的衝突。不需要太多傳統概念的情節,有的隻是法國街頭一幕幕詼諧的生活風情。人的敦厚與虛榮就在小房間裏得到對照,從而多了溫柔的諷刺。不多的台詞和極其輕快的音樂同樣為影片增色，噴泉這一道具的設置簡直神來之筆。

次要角色太多太複雜了，像過度裝飾的蛋糕

3.75/5 The second instalment in the trilogy sees Hulot traversing between the rustic old neighbourhoods and a futuristic landscape marked by ultra-modern houses, automobiless and modern household gadgets. Tati, through his brilliant cinematography, lampoons the histrionics and madness brought by consumer capitalism and laments the disappearance of

衝著呂爵安看的，還湊合。

每個鏡頭都經過精心安排。嚴肅的搞笑才是真的幽默。難怪林奇喜歡。