A free-wheeling pinku homage to Rear Window may seem a surprising start for Kurosawa, but it establishes a lot of the oddball charm that would later find its way to wonders like Doppelganger. Even if not much coheres—the leads’ characterization remains as flat as any pink film—it’s such a spirited, brisk romp that there’s little reason to complain.

節奏緊湊流暢，講故事信手拈來。至於情節，即使是96年這個橋段也早已被玩壞了，結局從攝像機電池用盡開始就昭然若揭，線索少些的話最後效果會好很多。Norton擅長的假想人格固然不錯，Gere那種強到可以跳出鏡頭束縛的演技才是真正厲害到了讓人毛骨悚然的地步。

有一點點意思的模仿戈達爾的片子 有點搞笑 有點傻嗶 不過卻是不多的女性主導的片子...and 所有的墜落都是無聲的墜落

倆主角都太加分了！！黑膠碟店裏那一幕真逗。。

學校組織看電影，在影院裏哭得撕心裂肺。